This work served as a study on dreams. The ideal instrument for calling, the French horn responds to brief rhythmical units that gradually melt into ambient sounds. The second section, in ostinato, develops in a counterpoint between the two instruments, then dies away slowly in long deep holding notes in the third and last section of the work.
[xii-93]
Premiere
- May 7, 1987, Francis Ouellet, horn
; Marie Beauchesne, percussion • Printemps électroacoustique: Concert, Montréal (Québec)
Details
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May 7, 1987Montréal (Québec)
