The piece is structured in seven sections, representing simultaneously an approach and a distortion of the text. The durations of these parts are in the relation 12-10-2-6-4-8-1. Only after the seventh part does the text itself finally appear, presenting a counterpoint between the French and German versions. A retro-coda follows, which compresses the entire piece in reversal into 49 seconds. This contraction is superposed with the 56 sung words (four in both languages on seven notes). Compressions are also placed at the beginning of each section, these condense the following material into two-second ‘upbeats.’ In all seven sections the poem acts as a ‘sound-atom.’
[vi-02]
Premiere
- October 26, 1995, Tage Neuer Musik in Weimar
: Concert, Weimar (Thüringen, Germany)
Awards
Details
Most recent events
- July 21, 2017Santa Fe (New Mexico, USA)
- May 25, 2016São Paulo (Brazil)
- November 29, 1995Aberdeen (Scotland, UK)
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October 26, 1995Weimar (Thüringen, Germany)
- June 13, 1995São Paulo (Brazil)
Broadcasts
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November 7, 2020: Radio Horizon 93.9 FM (South Africa)
- Pete Stollery, Back to Square One (2007), 10:17
- Hans Tutschku / Georg Trakl, Sieben Stufen (1995), 13:00
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- Hans Tutschku / Georg Trakl, Sieben Stufen (1995), 13:00
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September 1, 2006: Radio Horizon 93.9 FM (South Africa)
- Hans Tutschku / Georg Trakl, Sieben Stufen (1995), 13:00
- Yves Daoust, Impromptu (1994), 10:09
- Natasha Barrett, Red Snow (Microclimate II) (1998, 2001), 15:39
- Adrian Moore, Junky (1996), 12:13
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- Hans Tutschku, extrémités lointaines (1998), 16:30
- Hans Tutschku / Georg Trakl, Sieben Stufen (1995), 13:00
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- Hans Tutschku / Georg Trakl, Sieben Stufen (1995), 13:00


