This work was completed from a multitrack improvisation at the Buchla 200 synthesizer. I tried to retain the directness of the instrumental performance of analog synthesis, leaving the original sequence of interventions largely untouched, but heavily mixing the tracks. I wanted to explore a specific sound palette that represents one underwater species from the
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Details
Broadcasts
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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July 24, 2025: Radio FMR 89.1 Toulouse (France)
- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
- July 23, 2025: Radio Dijon Campus 92.2 (France)
- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ingrid Drese, Au-delà des mille rayons (2019), 15:24
- Ana Dall’Ara-Majek, Improvisus B200-1 (2022), 7:24
- Ana Dall’Ara-Majek, Perpetuum spirae (2023), 5:34
- Ana Dall’Ara-Majek, Improvisus B200-2 (2022), 1:01
- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
- John Young, Hidden Spaces: Räfstad (2019), 3:26
- John Young, Hidden Spaces: Dobbiaco (2019), 2:39
- John Young, Once He Was a Gunner: Senio River — nothing left (2020), 2:08
- John Young, Once He Was a Gunner: Stretto (2020), 3:00
- Emma Margetson, Sketching Froanna (2019), 9:37
- Emma Margetson, Elapsing (2021-22), 7:09
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
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- Ana Dall’Ara-Majek, Improvisus B200-3 (2022), 5:25
